From an interview at artnet:
"I get into arguments with my progressive friends about this: I feel that deaccessioning for the purposes of diversification is always legitimate. History is something that I value greatly. But one of the things that’s part of the history of art is that its discourse was racist, and that should be acknowledged. Deaccessioning is one way to do that. It’s saying: We have an opportunity to comment upon history by critiquing the way this particular narrative was formed."
