Thursday, March 15, 2018

"The notion that museums could simply liquidate the bottom 1% of their collections for a cash windfall that would solve most fiduciary challenges is simply a canard."

That's from this piece by Martin Gammon in The Art Newspaper, and I suspect it will quickly be adopted as a talking point by the Deaccession Police.  Not only is deaccessioning repulsive and unethical and Stalin-esque, it also doesn't work!!

But is that really the right way to frame the issue?  Isn't the real question whether this particular museum can liquidate (just liquidate, as opposed to "simply" liquidate) some portion of its collection (maybe it's the bottom 1%, maybe it's 22-24% from the bottom) for some funding (as opposed to a far more repulsive-sounding "cash windfall") that would help solve the particular challenge that this particular museum finds itself currently facing (as opposed to solving "most fiduciary challenges")?

This is interesting

According to The Fashion Law blog, a street artist complained to retailer H&M about their use of his work in an ad campaign ... H&M responded by filing a lawsuit seeking a declaration that unauthorized graffiti is not protected by copyright ... but then immediately realized they had made a big mistake and issued the following statement:

"H&M respects the creativity and uniqueness of artists, no matter the medium. We should have acted differently in our approach to this matter. It was never our intention to set a precedent concerning public art or to influence the debate on the legality of street art.  As a result, we are withdrawing the complaint filed in court. We are currently reaching out directly to the artist in question to come up with a solution. We thank everyone for their comments and concerns, as always, all voices matter to us."

"According to the Association of Art Museum Directors, nationwide 59 percent of museums charge admission, 34 percent are free and 7 percent suggest a donation amount"

That's from this NYT story.

As far as I can tell, only one museum from that 59 percent is the object of protests over the policy.

Wednesday, March 07, 2018

More on the Shagalov case

Mentioned earlier here.  Georgina Adam and Anny Shaw have lots more detail in the Art Newspaper, including this from New York Judge Charles Ramos during a January court hearing:

"“I have never seen an industry more ripe with fraud and misconduct than the art business. To say there’s such a thing as artistic ethics is an oxymoron. Most of the cases I’ve had involving art dealers involve fraud outright. Just plain old fraud. This is not a nice business."

"France’s highest appeals court has now ordered a retrial on the grounds that there was insufficient evidence that the goods held by the suspects had been stolen."

The saga of Picasso's electrician goes on.  Background here.

"We want to keep admission fees low, keep the state role to a minimum, and, in terms of donors, insist on clean hands. But if we want to do *all* that, something has to give."

Michael Rushton on the question of "tainted money."

"But it’s the Copyright Act not the court that’s blocking the road, and [artists] have an easy way around. All they’re required to do is share their profits with the creators of the content they seek to exploit."

Stephen Carter on the Second Circuit's TVEyes decision, but maybe also on the visual art appropriation wars?

5Pointz Lessonz

Eileen Kinsella rounds them up.